I reissued this tape because it rules. I keep Bible Bashers between the car seat and the center console, or on top of the tape deck, or in my ass pocket; it’s on constant rotation.
Recorded at Wolfgang’s House, Glenbrook Lagoon, Blue Mountains, Australia, 2009. Grim pianos melt over dumb horns, downer chords drowned in dishwater vox. I keep seeing domestic interiors with moving walls, skeletal fingers hitting single keys, a hall of mirrors, goosebumps.
Vincent Over The Sink are no longer. They were a magnetic flash of weird in an otherwise predictable succession of DIY styles. Bible Bashers is one of only a few releases documenting their curious flavor. I usually like the transience of home recordings, but some things are worth remembering.
An excellent collaboration yielding melancholic and unsettling looping noise with ethereal vocals, tinged with a bit of 80s horror synth. Highly recommend! cedarshims
There's a handheld camera aspect to this collaborative recording — hushed, creaking, intimate — that I found so very striking. I wasn't aware that these two experimental composers were a couple, but even so, you hear the tenderness between Sarah and Sean, in four-handed piano, guitar duos and chimed bells. https://www.vikingschoice.org/archive/vikings-choice-guide-to-bandcamp-friday-nov-2021/ Lars Gotrich
Quite taken by the elegant swarm of the title track. It sounds like a few pieces of music played at once — opera, spoken word, chamber music — weaving in and out of each together in phases. https://www.vikingschoice.org/archive/vikings-choice-to-bandcamp-friday-oct-2021/ Lars Gotrich
Smooth, sophisticated pop with neoclassical flourishes from the Berlin-based duo of Fabian Till and Birk Buttcherey. Bandcamp New & Notable May 2, 2024